Sustainable Ability: the qualities needed by 21st C leaders to face the challenges ahead


The World Business Council for Sustainable Development’s Future Leaders have launched a video offering thoughts on what 21stC leadership might need to look like. With many companies like Hitachi, Shell, Lafarge and PriceWaterHouseCoopers now creating senior management team posts like sustainability manager, climate change initiatives manager, and environmental strategist, big business are responding to climate change. Economic and legislative drivers may have created these posts originally, but listening to the holders of these posts another message is portrayed: leaders must look to the medium-long term and not just be short-termist. Leaders must serve, acknowledge grass-roots concerns, community action and initiatives and be ethical in knowledge sharing and collaboration. Many of the leaders point to the need for systems thinking and care in the process as well as end-product in order to be able to tackle the complexity of the challenges of climate change. Some of the most forward looking even talk about sharing the rewards (benefits, profits) with the people rather than just gaining for themselves and their companies!

These are all leadership criteria that Envirodigital believes are essential for 21st C sustainability, and our work that led to the creation of the medium term vision to carbon neutrality for the creative industries (for The Scottish Government’s 2020 Climate Group) certainly highlighted the need for our sector leaders to become knowledge sharers, collaborators, community engaged and focussed on a triple bottom line (which considers socio-cultural and environmental costs and benefits as well as economic).

If your business fits the criteria then you might be eligible to apply for the Future Leaders Team programme 2012.

Interactive Concert Hall – for eco touring, and larger audiences

Tech concert Hall New World CentreThe New World Centre’s new concert hall (Miami Beach, Florida by Gehry Partners – more about the architecture spec) has embedded 360-degree video projection technology that ensures world-class classical music performances can happen without the environmental impact of touring an orchestra, conductors, and or soloists from somewhere else. Advanced audio technology and connectivity to the internet via Internet 2 (the USA’s version of academic mega bandwidth network JA.NET). The solution allows (for example) a conductor in Australia to conduct an orchestra on stage in Florida – to a live audience of 757 in the concert hall, and an outside audience paying a much lower ticket price in the grounds of the New World Centre watching the Wallcast, and to a connected via a website virtual audience anywhere in the world. I love this movie captured on a mobile phone by an audience member watching the wallcast – picnics, cagoules, less pomp and less expensive champagne: classical music for the masses not the exclusives – a healthy future for classical music as it increases reach, scale and accessibility without increasing carbon emissions:

Recycle computer hardware for recommerce

The European Parliament has voted for tougher regulations on the disposal of worn out/obsolete electronic items, requiring each country to collect 4 kilos of e-waste per citizen by 2012, and to process 85% of all its electronic waste by 2016.
We’re seeing that in times of recession, economic interests tend to overrule eco-causes, and corporate social responsibility around sustainable developments dwindle. But the need for a more sustainable lifestyle will remain a most pressing issue for years to come. Interestingly, in a credit crunch, consumers become increasingly aware not only of the financial value in their past purchases, but the material and ecological value of ‘stuff’ as well.

Dell runs Dell Reconnect in partnership with Goodwill Industries. The scheme allows users to take their electrical equipment, from any brand, to one of Goodwill’s 2,200+ participating locations in the United States or Canada, where it will then be refurbished or recycled.
(Companies like Nike and Patagonia have been doing this for years, but good for Dell :-)

Solar powered art

SunFlowers, An Electric Garden as seen at night

SunFlowers, An Electric Garden designed by Mags Harries and Lagos Heder for Austin, Texas is a sculpture of 15 giant SunFlower covering a thousand feet of space along the Interstate 35 Highway. The solar flowers collect energy to power their blue LED lights at night and send the remaining energy to the city’s power grid. By November 2011, 330,316 kilowatt hours of clean energy has been generated by the sculptures. That’s roughly the equivalent of 10,735 days of electricity usage in an average American house.

SalarFlora

On a smaller scale is Darren Saravis’s SolarFlora. These thirteen foot flower sculptures generate solar energy to power its own light as well as outlets at the base of the sculpture that passersby can use for a quick charge. SolarFlora is from the product-development firm Nectar Design, and meant to generate energy from within the heart of a city.

Floralis Generica, open during the day

Perhaps the most stunning is Floralis Genérica of Buenos Aires, Argentina. Built near the National Museum of Fine Arts, the giant sculpture responds to light and opens its petals during the day and shuts them at night. Four nights a year this stunning piece is lit and remains open after dark. The name, Floralis Genérica, is meant to represent all flowers in the world and its opening daily symbolizes a hope that appears anew each day.  Creating green energy through art gives us something visually beautiful in our urban and rural landscapes – surely this is a great way to encourage communities to grasp the potential of clean energy?

Greener Electronics

Guide_Greener_Electronics_OSGreenpeace have just released a new version of the Guide to Greener Electronics. This is important for Envirodigital as we want to recommend digital solutions for getting greener, but we all know that most digital devices are manufactured with electronics components and use electricity to power up. Greenpeace report:
“This time ranking 15 gadget and electronics companies on energy, greener products and sustainable operations. HP takes the lead at 5.9 out of a possible 10 points, followed by Dell, Nokia and Apple.
Previous releases of our Guide to Greener Electronics have prompted improvements within the electronics industry including phasing out hazardous substances like PVC and brominated flame retardants from their products. In its sixth year, it is now part of Greenpeace’s wider Cool IT campaign to persuade IT industry leaders to become climate action leaders too.
Electronics, such as computers, TVs and mobile phones are both resource and energy intensive to produce. That’s why the guide’s new energy section focuses on how companies can lead the way by reducing their own energy use and using their influence in support of clean energy legislation.”
Is it all corporate greenwash? Well it seems that consumers can be reassured that HP takes top spot because it scores strongly for measuring and reducing carbon emissions from its supply chain, for reducing its own emissions, and advocating for strong climate legislation. I guess the public transport CO2 emissions will rise if we all buy HP laptops (lovingly known by their owners as “bricks” :-)

Creative & Interactive Industries’ low carbon transition: Final Report

Envirodigital and Scottish Enterprise facilitated workshops with Creative and Interactive Industries for Scottish Government’s 2020 Climate Group, to feedback on what the options, opportunities and challenges might be for the sectors on achieving carbon neutrality by 2050, and a 42% reduction in carbon emissions by 2020. The final report is below, and features digitisation as a key opportunity.

Envirodigital to run workshop for Scottish Government’s 2020 Climate Group

Scottish Enterprise logoInteractive Scotland logoTogether with Scottish Enterprise, Envirodigital is facilitating a series of workshops for the Scottish Government’s 2020 Climate Group, supported by Interactive Scotland and SE’s Digital Media Industry Advisory Group.
The 2020 Climate Group was set up to ensure that all sectors of Scotland’s economy and civic society contribute fully to achieving Scotland’s ambitious climate change targets. The first workshop on 25th January achieved a great deal, and participants appreciated the opportunity to consider a vision for the Creative and Digital sectors being carbon neutral by 2050. Said one participant:

“Thank you so much for the event today Hannah, for bringing the creative and interactive industries into the 2020 Climate Change Group’s work, and to the 2020 Group for agreeing to involve the sector. More and more, our sector is being ackowledged by scientists as having key role in understanding some of the complexities, challenges and indeed opportunities in taking this area on as a new way of thinking, and it is brilliant to see our sector having a role. I look forward very much to taking a more active role at the next session. Thank you again.”

Click here to sign up to attend workshop 2, in Edinburgh on 28th February 2011. Register for Scotland's low carbon transition: opportunities and implications for the Creative and Interactive Industries - workshop 2 in Edinburgh, Edinburgh, City Of  on Eventbrite

Scottish Government supports digital technology to lower carbon footprint: Envirodigital prompts question

The 40+ online viewers looking at today’s AmbITion Scotland live webcast also tested out Envirodigital’s new Carbon Footprint Avoided indicator, on the same day that the Scottish Government stated it supports digital technology to lower carbon footprints after Envirodigital prompted questions in the Scottish Parliament today.

The full press release from Scottish Parliament reads:

Dr Bill Wilson MSP

“Responding to questions from Dr Bill Wilson MSP (SNP), the Scottish Government’s Cabinet Secretary for Finance and Sustainable Growth has acknowledged the role that digital technology can play in Scotland meeting its climate change targets.

Dr Wilson said, “My questions in the Scottish Parliament today were prompted by discussions with an expert in the field. It appears that digital technology is as yet underutilised. While there are occasions when face-to-face meetings are essential I was surprised to learn just how effective webcasting training events, for example, can be. With a simultaneous online chat facility accompanying webcast events, remote participants can have their questions added to those asked by a live audience and can also interact with each other, to some extent affording them their own ‘networking’ experience, and there are now simple ‘widgets’ to enable organisations to calculate how much carbon they save by not sending their employees to attend events in person. An additional advantage of making events available digitally is that audiences can be significantly larger!

READ ON >

The art of webcasting, part 2

[A longer version of this article by Hannah Rudman was first published in Arts Professional magazine, issue 222, 19.07.10]

@bbcbillt keynotes via webcast & live for AmbITion Scotland

A webcast is a media file distributed over the Internet using streaming media technology to distribute a single linear content source to many simultaneous listeners/viewers. A webcast may either be distributed live, or on demand. Webcasting used to be defined as “broadcasting” over the internet, but that no longer quite fits: many webcasting platforms now offer tools that encourage online audience interaction – with the live event and with other onliners.

Webcasting is not web or videoconferencing, which is designed for many-to-many interaction. Nor is webcasting the technology that delivers NTLive! or the Met Opera into cinemas around the country – this is simulcast technology, which uses satellite systems to deliver a live broadcast to digital data projection screens. Simulcasting produces an exquisite aesthetic (millions of colours, 5:1 surround sound) but requires a completely different level of production and delivery for this quality to be guaranteed. It is therefore extremely costly and out of range for many cultural organizations. Neither is webcasting the technology behind the BBC’s £125m iPlayer, so its important not expect the same result.

READ ON >

Shift Happened 2010

At Shift Happens 2009

Shift Happens was again a great mix of case studies and stories of new and exciting digital technologies and projects for the arts and learning sectors. Produced by Pilot Theatre, with keynotes from Sir Ken Robinson, artist Jonathan Harris and Alice Greenwald (9/11 Museum & Memorial); lots of great immersive and participative digital experiences in the foyer; and tons of networking, the event in York on 5th & 6th July sold out.

 

John Popham summed it up on the Shift Happens network thus:
“It was another great event, as we all knew it would be. It seemed to me that the debate on technology, social media and the arts has moved on from where it was at Shift Happens 2009, there was much less dissent about the role it has to play, and, as more that one speaker said, it is no longer “what technology?”, it is now “why are we using it?”

John McGrath Skypes in to Shift Happens 2010

John McGrath of National Theatre Wales showed off his highly developed green digital skill of presenting to conferences via Skype. He mentioned their work with us and reflected on how NTW’re getting on making theatre with communities and artists who are based online (in the cloud).

 

I spoke on the subject of “The Digital Planet”, thinking about the next iterations of the internet as finally being appropriate for live, digitised core content which gives cultural organisations a greener way of increasing reach, scale, impact and accessibility. Slides and links to the videos available here. The videos of all the speeches will be released over the year, so I won’t spoil the content of them.