Envirodigital consultant producers of new virtual live theatre project

fiveminutetheatre

We’re delighted to announce #fiveminutetheatre!

NATIONAL THEATRE OF SCOTLAND MARKS ITS 5TH BIRTHDAY WITH A VIRTUAL 24 HOUR THEATRE PROJECT

Today, 25th February, 2011, the National Theatre of Scotland marks its fifth birthday by opening public submissions for a nationwide virtual theatre project as well as announcing details of a series of public platforms aimed at provoking and facilitating cultural debate.

Vicky Featherstone, Artistic Director, National Theatre of Scotland commented: “Five years ago, we had no idea that anything we set out to do was actually possible. There was no such thing as an NTS show, an NTS event, or an NTS audience member.

“It is thanks to the talent, courage and inspiration of the people I work with – the artists, the designers, the truck drivers – and the hunger of the audience to be entertained, that any of this has been possible.  That on our fifth birthday we would have shows in Ullapool, New York City, Aberdeen and Edinburgh was unimaginable, but here we are!

READ ON >

Envirodigital to run workshop for Scottish Government’s 2020 Climate Group

Scottish Enterprise logoInteractive Scotland logoTogether with Scottish Enterprise, Envirodigital is facilitating a series of workshops for the Scottish Government’s 2020 Climate Group, supported by Interactive Scotland and SE’s Digital Media Industry Advisory Group.
The 2020 Climate Group was set up to ensure that all sectors of Scotland’s economy and civic society contribute fully to achieving Scotland’s ambitious climate change targets. The first workshop on 25th January achieved a great deal, and participants appreciated the opportunity to consider a vision for the Creative and Digital sectors being carbon neutral by 2050. Said one participant:

“Thank you so much for the event today Hannah, for bringing the creative and interactive industries into the 2020 Climate Change Group’s work, and to the 2020 Group for agreeing to involve the sector. More and more, our sector is being ackowledged by scientists as having key role in understanding some of the complexities, challenges and indeed opportunities in taking this area on as a new way of thinking, and it is brilliant to see our sector having a role. I look forward very much to taking a more active role at the next session. Thank you again.”

Click here to sign up to attend workshop 2, in Edinburgh on 28th February 2011. Register for Scotland's low carbon transition: opportunities and implications for the Creative and Interactive Industries - workshop 2 in Edinburgh, Edinburgh, City Of  on Eventbrite

Hannah Rudman explores the digital potential of live

At Shift Happens 2010, I spoke to the Performing Arts sector about the opportunities for increasing the scale, reach, impact, accessibility and legacy of live events by digitising them, and decreasing the carbon footprint too. The first part of my talk focuses on what can be achieved with our the existing digital space (internet as we know it now); the second half explores the opportunities that will emerge as the web evolves.

Scottish Government supports digital technology to lower carbon footprint: Envirodigital prompts question

The 40+ online viewers looking at today’s AmbITion Scotland live webcast also tested out Envirodigital’s new Carbon Footprint Avoided indicator, on the same day that the Scottish Government stated it supports digital technology to lower carbon footprints after Envirodigital prompted questions in the Scottish Parliament today.

The full press release from Scottish Parliament reads:

Dr Bill Wilson MSP

“Responding to questions from Dr Bill Wilson MSP (SNP), the Scottish Government’s Cabinet Secretary for Finance and Sustainable Growth has acknowledged the role that digital technology can play in Scotland meeting its climate change targets.

Dr Wilson said, “My questions in the Scottish Parliament today were prompted by discussions with an expert in the field. It appears that digital technology is as yet underutilised. While there are occasions when face-to-face meetings are essential I was surprised to learn just how effective webcasting training events, for example, can be. With a simultaneous online chat facility accompanying webcast events, remote participants can have their questions added to those asked by a live audience and can also interact with each other, to some extent affording them their own ‘networking’ experience, and there are now simple ‘widgets’ to enable organisations to calculate how much carbon they save by not sending their employees to attend events in person. An additional advantage of making events available digitally is that audiences can be significantly larger!

READ ON >

Traverse Theatre simultaneously broadcasts live rehearsed readings

In a great Edinburgh Fringe Festival experiment on 23.08.10, a compendium of new plays, realised as rehearsed readings, were simultaneously transmitted to UK Picturehouse film theatres, including Edinburgh’s Cameo. Despite over-demand for tickets to the live show at the Traverse, Traverse Live! remained a one-off live performance for a small audience, but the show increased its scale, reach impact and accessibility through simultaneous broadcast.

Cameras setting up

As part of the small audience in the theatre, there was palapable excitement as we were directed to our seats, being warned by the camera operators from Hibrow Productions dressed in black not to trip over their kit and the wires! On stage, 1 camera was on a tripod with wheels, 2 were on static tripods, 1 camera was hand-held but could be rested on a tripod which was positioned in a row of audience seating. Another roving camera was in the wings and moved up to the projection box to provide aerial and wide context shots.

READ ON >

Digital tools used by arts and government to highlight climate change

Thanks to @artsthink for sharing this great video slide show tribute to Marvin Gaye’s Mercy Mercy Me with an Ecology twist. Also thanks to @bridgetmck for blogging about a Google earth map showing what could happen to the world should average global temperatures rise by 4 degree Celsius.

The UK Government’s DECC unveiled their interactive map, developed in collaboration with the British Council, Met Office Hadley Centre and Google.

The interactive map is an innovative way of communicating the complex challenge of climate change. It features video entries from scientists from Met Office Hadley centre explaining their research. Impact circles highlight areas across the world that will suffer the most from the consequences of climate change. Follow @2degreelimit for the DECC’s tweets on this topic.

The art of webcasting, part 2

[A longer version of this article by Hannah Rudman was first published in Arts Professional magazine, issue 222, 19.07.10]

@bbcbillt keynotes via webcast & live for AmbITion Scotland

A webcast is a media file distributed over the Internet using streaming media technology to distribute a single linear content source to many simultaneous listeners/viewers. A webcast may either be distributed live, or on demand. Webcasting used to be defined as “broadcasting” over the internet, but that no longer quite fits: many webcasting platforms now offer tools that encourage online audience interaction – with the live event and with other onliners.

Webcasting is not web or videoconferencing, which is designed for many-to-many interaction. Nor is webcasting the technology that delivers NTLive! or the Met Opera into cinemas around the country – this is simulcast technology, which uses satellite systems to deliver a live broadcast to digital data projection screens. Simulcasting produces an exquisite aesthetic (millions of colours, 5:1 surround sound) but requires a completely different level of production and delivery for this quality to be guaranteed. It is therefore extremely costly and out of range for many cultural organizations. Neither is webcasting the technology behind the BBC’s £125m iPlayer, so its important not expect the same result.

READ ON >

Shift Happened 2010

At Shift Happens 2009

Shift Happens was again a great mix of case studies and stories of new and exciting digital technologies and projects for the arts and learning sectors. Produced by Pilot Theatre, with keynotes from Sir Ken Robinson, artist Jonathan Harris and Alice Greenwald (9/11 Museum & Memorial); lots of great immersive and participative digital experiences in the foyer; and tons of networking, the event in York on 5th & 6th July sold out.

 

John Popham summed it up on the Shift Happens network thus:
“It was another great event, as we all knew it would be. It seemed to me that the debate on technology, social media and the arts has moved on from where it was at Shift Happens 2009, there was much less dissent about the role it has to play, and, as more that one speaker said, it is no longer “what technology?”, it is now “why are we using it?”

John McGrath Skypes in to Shift Happens 2010

John McGrath of National Theatre Wales showed off his highly developed green digital skill of presenting to conferences via Skype. He mentioned their work with us and reflected on how NTW’re getting on making theatre with communities and artists who are based online (in the cloud).

 

I spoke on the subject of “The Digital Planet”, thinking about the next iterations of the internet as finally being appropriate for live, digitised core content which gives cultural organisations a greener way of increasing reach, scale, impact and accessibility. Slides and links to the videos available here. The videos of all the speeches will be released over the year, so I won’t spoil the content of them.

UK businesses are Europe’s dirtiest: what about digital and creative business?

Along with the VAT rise, I was hoping that we’d see the introduction of a carbon tax: where polluting offenders (individual or companies) would have to pay for the damage they do to the environment. Although its not money that will solve the issue, raising awareness of what is considered “bad” business behaviour in relation to the environment would have been a useful exercise. Britain is officially the “dirty man of Europe”, after a review of Europe’s top 300 companies by ethical investment consultant Eiris found that the largest group causing a “a very high impact” on global warming were UK based. This is not a surprise, as a good number of FTSE 100 companies are mining or oil focused, and the UK has not yet succeeded in building up a low-carbon business sector.

The BP oil spill has also highlighted for the world the notion of “bad” business, and the idea that the polluter should pay, not all the rest of us, is something that the general public have latched onto. After a long period of “green hush”, post-a-failed-Copenhagen, climate impact is suddenly back on the agenda, but not in the same way as before. Then, we were looking to change our own individual understandings and lifestyles, now we’re being given the lazy opportunity to point the finger away from ourselves. Its easier to blame the big bully boy companies This week, the FTSE Group is launching new indices to help investors track the ability of companies to manage climate risks. This is a fine idea, as it helps us easily spot “good” companies (or those that pay for their pollution) in which to invest.

READ ON >